Download Film 3 AM 3D: The Scariest Hour of the Night
3 A.M. 3D (Thai: ตีสาม 3D) is a 2012 Thai 3D horror anthology film directed by Patchanon Tummajira, Kirati Nakintanon and Isara Nadee, and released in Thailand on November 22, 2012. It is produced by Five Star Production. It is composed of three short films with different themes, united by a common motif of the 3 A.M. hour, considered as the time when supernatural things tend to occur.[3]
A sequel, entitled 3 AM: Part 2 was released in January 2014. The film also features three segments: "The Third Night", "The Convent", and "The Offering", and was directed by Isara Nadee, Kirati Nakintanon, and Putipong Saisikaew. Another sequel, entitled 3 AM: Part 3 (also known as After Shock) was released on March 15, 2018. The film features three more segments: "Expressway", "One Night Stand", and "TV Direct", and was directed by Phawat Panangkasiri, Thammanoon Sukulboontanom, and Nitivat Cholvanichsiri.
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Dive into the fascinating world of the ocean in "Secrets of the Sea." This film takes you on an underwater journey with an incredible variety of enchanting marine creatures, from pygmy seahorses and dazzling opalescent squid to majestic manta rays, tiger sharks and even a clever coconut octopus. This extraordinary film showcases the indispensable role of marine biodiversity in maintaining the well-being of our oceans. Filmed in 16 stunning locations, including Tahiti, Mexico, the Philippines and California.
Thai horror films usually have fascinating concepts - this film does too (several, in fact) - but the execution is way off base and the script at hand is quite laughable in comparison with the creative and original ideas displayed.
Films are included with paid admission and also with Balboa Park Explorer Passes, GO San Diego Cards and for members of the San Diego Natural History Museum. Tickets are available at the Admissions Desks at the Museum. Please note that films are not included with Resident Free Tuesday admission. Film tickets can be purchased for $5 per person at the Admissions Desk on Resident Free Tuesday.
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The Subaru Giant Screen Experience is one-of-a-kind. Settle into the 300-seat, stadium-style theater and enjoy films on the massive screen. Assistive Listening Devices for films and lectures in the Charmaine and Maurice Kaplan Theater are available. Please inquire with the theater attendant or with the Admission Desk.
Go Into the Story is the official blog for The Blacklist, the screenwriting community famous for its annual top ten list of unproduced scripts. One helpful feature of Go Into the Story is its bank of downloadable movie scripts.
The titular Drew has been sharing scripts with curious readers and writers for almost two decades now and has a vast library from which to choose. A great benefit of Script-O-Rama is that it holds several drafts of certain movies, an invaluable resource for those who want to see how a Hollywood film evolves in the writing process.
The base film-simulations from the various camera-models are available as processing-profiles in ACR, Lightroom and CaptureOne (may be even more software already or following next) as the start for raw-processing.
Hello! First of all, thank you so much for your work! I am so excited to try these film simulations!!!
I bought my first camera (xt3) about 3 weeks ago, so I am a very beginner in everything about my camera and photography, but I am loving to learn about it.
I would like to know what would be the difference if I shoot in raw or jpeg with the same film simulation.
Would they look different?
thank you!
Hi Ritchie. Very great job. Tanks.
One question : do you think il Will be possible to create New simulation color profil which can be add to the list of film included by default in the camera lire you Will do upddating firmware ?
Is it clear ?
Regards
Arnaud
Hi Ritchie,
The custom film recipes are great to use. But why is it that when switching between one of the seven C1-C7 settings, the camera uses the right WB settings (and shifts), forgetting the last one you used, but when switching from one of the seven setting to the built-in simulations, it remembers these settings. And thereby messing up the standard built-in simulations. As long as you stay within the C1-C7 settings it works fine. Even if the WB and shifts are different. But when using one of these presets and you switch over to the built-in simulation you have to manual reset the setting. Very annoying. I hope Fujifilm has a fix for it since more Fuji lovers found out about this error.
Cheers,
Hans
Do you use one of the default film simulation slots to edit and add a new recipe or is there extra empty slots. I am asking this as I am still waiting for my X-T1 to arrive and I am trying to learn about it as much as I can
Organic-inorganic halide perovskite solar cells (PSCs) have received significant research attention due to their low processing cost and high performance. We have modeled perovskite thin-film solar cell, p-i-n structure, with intrinsic layers of bulk methylammonium lead iodide (CH3NH3PbI3) and two-dimensional monolayer of CH3NH3PbI3, which is mainly used to enhance the stability of bulk CH3NH3PbI3 layer. Poly (3,4-ethylenedioxythiophene) polystyrene sulfonate (PEDOT: PSS), which is an organic hole transporting material (HTM), has been used as a p-type layer. The material fullerene derivative (6,6)-phenyl-C61-butyric acid methyl ester (PCBM), which is an organic electron transporting material (ETL), has been used as an n-type layer. The performance of this perovskite solar cell model was simulated by employing Solar Cell Capacitance Simulator (SCAPS-1D) under indoor low light conditions and outdoor AM1.5G full Sun spectrum. The indoor light intensity produced by the artificial light source is about 20 W/m² as compared to the outdoor light intensity of 1000 W/m². In this work, Tungsten Halogen lamps were used as low light illumination sources to model the indoor low light conditions. We have obtained the maximum power conversion efficiencies of the baseline model of PSCs under spectrums of 10 W, 20 W, 50 W Tungsten Halogen Lamps, and AM1.5G Sun as 11.47%, 12.04%, 12.16%, and 24.71% respectively with the open-circuit voltages (VOC) of 1.07 V, 1.09 V, 1.12 V, and 1.26 V. According to these results, even for low light conditions, we have obtained open-circuit voltages above 1.0 V and the device efficiencies above 11% compared to outdoor light conditions.
You may use Google Earth and Earth Studio on television and in a featured film following the general guidelines on this page, especially with regard to on-screen attribution. This includes everything from news broadcasts, short films and documentaries, but does not include promotional films, advertisements or commercials. This Licence to use Google Earth and Earth Studio content applies to all types of film regardless of platform (and technology) distributed on, but does not extend to content distributed from or to these territories.
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